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The
Cheek of the Chappie
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The name Max Miller was chosen by his wife, ne้ Kathleen Marsh in 1920. In showbiz it sounded better than his real name, Thomas Henry Sargent.
Roy Hudd remembers the time when Max invited him and his partner for a drink in the bar of the Finsbury Park Empire. After they met, Max showed his guests to a table where they sat and talked for quite a while. Young Roy was puzzled, no one had ordered drinks. Then when the interval came, there was the usual stampede to the bar when someone offered Max a drink. Max accepted and said, "Can you get my young friends a drink as well?"
It was traditional for the top of the bill variety act to tip each musician at the end of a run. On one occasion, Max, after finishing the second house Saturday night, left the stage not by the wings as is customary but through the auditorium and out the main entrance where he caught a cab to the station and to the last train to Brighton. Never to be seen by the band again.
The last train to Brighton used to carry a number of theatricals on their way home, among them Laurence Olivier, Dora Bryan, Alan Melville and the Crazy Gang. Max Miller always took this train when appearing on stage in London and was renowned for not buying anyone a drink. So one night the Crazy Gang decided to spring a surprise on him. They asked the train driver to make a brief, unscheduled stop at Preston Park, the last station before Brighton. During the journey, they ordered the most expensive drinks for themselves, and, ensuring they downed them before Preston Park, all got off leaving a surprised Max to settle the bill.
But there is the other side to Max. Clive Allen is not alone in saying that Max was far from mean. He gave thousands to charities, usually under his own name Thomas Henry Sargent.
As Jean Marsh said, he was generous to those he liked to be generous to, but he didn't like to be taken for a ride.
The things
I say are snappy. That's why
the pretty girls all fall for me. I don't do
things contrary My love
will never vary, Ask Mary
from the Dairy - Here's the
key. I fell in
love with Mary from the Dairy, But Mary
wouldn't fall in love with me. Down by an
old millstream We both sat
down to dream Little did
she know that I was thinking up a scheme. She said
let's pick some buttercups and daisies, But those
buttercups were full of margarine. She slipped
and we both fell Down by a
wishing well, In the same
place where I fell for Nellie Dean.
"Now
on our farm," said Mary from the Dairy, "We've
got the finest cows you've ever seen. I don't do
things by halves I'll let
you see my calves, And they're not the same shape calves as Nellie Dean's." Words by
Max Miller, Sam Kern & James Walsh Music by Sam Kern
You can't help liking him, can you?
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